Welcome!Welcome to Mark Ruffalo Central, a fansite dedicated to the talented actor, director, writer & producer Mark Ruffalo. You certainly know Mark from movies like Just Like Heaven, 13 Going on 30, Zodiac and most recently, The Avengers. Here you'll find all the latest news, an extensive and frequently updated photo gallery, detailed information about Mark and much more. Enjoy!
You might call August, 2014 a full-circle month for Mark Ruffalo. His performance as Ned Weeks in Ryan Murphy‘s HBO version of The Normal Heart earned one of that film’s astonishing 16 Emmy nominations, with the winners to be announced on Aug. 25. He’s eager to catch the Broadway revival of the 1996 stage play that launched his career, Kenneth Lonergan‘s This Is Our Youth, which begins on the 18th with Michael Cera and Kieran Culkin.
Writing about his work in Lonergan’s You Can Count On Me, the New York Times’ Stephen Holden said, “Mr. Ruffalo’s star-making performance deserves to be added to the list of charismatic, grownup lost boys that includes the Marlon Brando of A Streetcar Named Desire and the Jack Nicholson of Easy Rider.”
Yet this is the same guy who plays the Hulk in the Avengers franchise. And the same guy whose social activism includes deeply personal work on behalf of gun-control laws, and who just signed on to star with Rachel McAdams in Spotlight, Tom McCarthy’s film about two Boston Globe reporters whose investigation of pedophile priests led to the resignation of Cardinal Bernard Law. And of course he’s currently onscreen with Keira Knightley in the exquisite indie feature Begin Again. A few days ago I spoke via FaceTime with the actor during some time cadged from a family vacation on the French island of Corsica.
DEADLINE: Mark, beginning in 1986, when I became the theater reporter at the New York Times, through the 1990s as Variety’s chief critic, the story that more or less defined my career was AIDS. So many of those stories were obituaries of brilliant men including Michael Bennett, the genius behind A Chorus Line, and Charles Ludlam, who had just come to filmdom attention in The Big Easy. At that time, you were a teenager growing up in Virginia Beach, Va. How aware were you of AIDS?
MARK RUFFALO: My friends and I were aware that this disease was affecting gay men, but it all seemed very far away from us — at least until a man I was very close to came out to me. This was complicated by the fact that he was also professing his love for me. At the time, he was the only gay person I knew — or thought I knew. And oddly enough, it was him who really pulled away from our friendship more than me. And so that was my first experience of somebody who was gay and who was willing and courageous enough to come out to me at that age. Then I moved to San Diego and eventually, soon after that, ended up in Los Angeles going to the Stella Adler Academy, where there were a lot more people who were openly gay.
I lived about a block off of Santa Monica Boulevard. I had many friends who were part of the gay culture and I started working at restaurants and meeting a whole other group of people who were in the gay culture openly. That was a time when AIDS really started to become more and more apparent. I worked with people who had AIDS. My brother worked in a salon and had people who had AIDS and were fighting it. It was also around the advent of AZT. But before that, I also was seeing these Act Up people, and I was always impressed by the solidarity of them. I just started to learn about AIDS in a way that most Americans hadn’t through the mainstream media. I started to really sympathize with what was happening in that culture.
I knew a waiter that, (though) he was so sick, he had to work, he didn’t have health insurance. So he would come to work, and the bottom of his feet would just be literally gone, just an open wound from fungal infections that his body couldn’t fight any more. And he had to work those nights just to make ends meet, and it was a tough, rough existence. I was seeing it firsthand. I was reading about the lack of any kind of governmental supervision or response…
DEADLINE: Did you feel that you were a political person, or do you think this radicalized you?
RUFFALO: Well, I was studying with Stella at that time, who came from the Yiddish theater and from the Jewish-American immigrant culture, which was the intellectual culture, and they were very socially active. Stella was a social-justice radical and I was turned on by that aspect of the work that I was learning about. My friends, the people I was working and studying with, started a sort of citizens’ response to the AIDS crisis that was head-and-shoulders above what the government was willing to do. Coupled with that was a hysteria that was being sort of engendered by the mainstream media about AIDS for a long time. And so I saw a great injustice happening right in front of my eyes, and that turned me on politically.
I wasn’t gay, and in the beginning, the backlash to the way that the gay culture was being treated over AIDS wasn’t fully inclusive. It was very gay. And so I didn’t really feel that I was totally part of that, but I got a lot from it, and I sympathized with it. I just didn’t know where I fit in, into that movement at that time, other than it was a social-justice movement that I completely believed in.
Mark Ruffalo, Michael Keaton and Stanley Tucci are all in talks to star in Tom McCarthy’s “Spotlight,” which follows the Pulitzer Prize-winning Boston Globe journalists who exposed the Catholic Church’s decades-long cover-up of child molestation in Massachusetts, multiple individuals familiar with the prestige project have told TheWrap.
Ruffalo is nearing a deal to play Michael Rezendes, while Rachel McAdams is being eyed for the female lead of Sacha Pfeiffer. McAdams has an official offer, though she has not started formal negotiations yet.
Liev Schreiber and Aaron Eckhart are also circling key roles in the ensemble drama, which McCarthy co-wrote with Josh Singer (“The West Wing”).
Participant Media is financing the project, which is being produced by Anonymous Content and Rocklin/Faust. Open Road has come on to handle domestic distribution.
Also read: Ryan Gosling and Rachel McAdams Hated Each Other on the Set of ‘The Notebook’
Steve Golin and Michael Sugar of Anonymous Content are producing with Nicole Rocklin and Blye Faust. David Mizner, who brought the project to Rocklin/Faust, will consult and serve as an associate producer. Participant Media’s Jonathan King and Jeff Skoll will executive produce with Open Road’s Tom Ortenberg and Peter Lawson.
Producers have secured life rights of the Globe reporters responsible, including Spotlight Team members Rezendes, Pfeiffer and Matt Carroll, Spotlight Team editor Walter “Robby” Robinson (Keaton), special projects editor Ben Bradlee Jr. and Globe editor Marty Baron (Schreiber).
When Baron saw an article in the Globe just after starting as editor about a Boston priest who had molested children, he realized a bigger story could lie behind it. He spurred a team of reporters to spend a year interviewing hundreds of victims and poring over thousands of documents.
The Globe team eventually discovered that Cardinal Bernard Law had hidden years of serial abuse by moving guilty priests from one parish to another, where they often abused again.
The team’s articles won them the Pulitzer Prize in 2003 for meritorious public service and set off a wave of revelations around the world.
The project was announced in April 2010 and described as being in the vein of the classic journalism movie “All the President’s Men.”
Bradlee Jr. is the son of legendary Washington Post editor Ben Bradlee, who stood behind Bob Woodward and Carl Bernstein when their Watergate reporting was assailed by President Richard Nixon and his White House staff.
Ruffalo and Tucci earned Oscar nominations for their supporting performances in “The Kids Are All Right” and “The Lovely Bones,” respectively.
Ruffalo and Keaton could find themselves in contention for Oscars again this year between “Foxcatcher” and “Birdman.” The duo are both having strong years.
Ruffalo starred in HBO’s “The Normal Heart,” John Carney’s “Begin Again” and the Sundance movie “Infinitely Polar Bear,” and he also reprised his role as the Hulk in Marvel’s “The Avengers: Age of Ultron,” which hits theaters next year. He’s represented by UTA and Brillstein Entertainment Partners.
Keaton co-starred in “RoboCop” and “Need for Speed,” while “Birdman” is scheduled to open the Venice Film Festival and close the New York Film Festival. He’s repped by ICM Partners and Anonymous Content.
Tucci has also kept busy, co-starred in “Transformers: Age of Extinction” and the “Hunger Games” sequels, in which he plays Caesar Flickerman. He’s repped by CAA and Anonymous Content.
McAdams can currently be seen opposite Phillip Seymour Hoffman in “A Most Wanted Man,” and next year, she’ll share the screen with Bradley Cooper in Cameron Crowe’s Hawaii-set romantic comedy. She’s represented by WME and Magnolia Entertainment.
Few actors bring as much heart to the screen as Mark Ruffalo, and few manage as diverse a career. This summer, he’s in London making “The Avengers” sequel, suiting up again as oversized green superhero the Hulk; meanwhile, the critically praised indie film “Begin Again,” in which he plays a down-on-his-luck music producer, is now in theaters, and he’s just landed his first Emmy nomination for his electrifying and heartbreaking lead performance in the HBO film “The Normal Heart.”
In the HBO movie, adapted from Larry Kramer’s autobiographical 1985 play, Ruffalo plays Ned Weeks, a gay writer and activist determined to raise the alarm about HIV and AIDS in New York City in the early 1980s. Director Ryan Murphy (“American Horror Story”) has cited Ruffalo’s environmental activism (he has been an early leader in the anti-fracking movement) as one of the things that made him perfect for the role. The film, which premiered on HBO in May, landed 16 nominations, including recognition for cast mates Matt Bomer, Jim Parsons, Joe Mantello, Alfred Molina and Julia Roberts. Ruffalo spoke to The Envelope by phone from London.
The Ned Weeks role is incredibly rich — he’s a brother, a lover, a leader, a fighter, a friend. He has so much passion and anger. Too much for his own good, sometimes. Was there a hurdle you had to overcome before you could play all that?
Modulating the anger and bouncing it against the vulnerability — that was the tightrope walk. Making sure you push in a way that’s appropriate for the scene and what’s on the line with those ideas, and taking that as far as you can. He was an agitator by design; he understood that he had to be confrontational. The tendency would be to play that character all one note. I know Ryan was afraid of that. I was less afraid because I’d come from the theater, where it’s a lot easier to make those radical shifts of tone or feeling. What I’m realizing is, as long as you have the same face in the movie [he laughs], you can get away with almost anything. You can go to such extremes, and that’s become more and more interesting to me. This thing takes Ned from goofy to just bitter and angry to vulnerable, from a know-it-all to a know-nothing. To me, that more closely reflects what it is to be human.
You play a key scene with Alfred Molina (as Ben, Ned’s successful older brother) in which you are just begging him to accept you as his equal, regardless of your sexual orientation, and he can’t do it. He will not give in, and he is formidable. What was it like to have to go up against him like that?
It was tough. He’s amazing. It’s like throwing yourself against a 4-foot-thick concrete wall. You can’t get more solid than Alfred Molina. But the language carries you. It’s a beautifully constructed scene. And the subtext is carrying you as well. At one point, I couldn’t get there, and I was experiencing a lot of anger toward myself. And then it just popped. It just kind of broke out of there.
Marvel’s The Avengers: Age of Ultron and Marvel’s Ant-Man stars Mark Ruffalo (Hulk) and Paul Rudd (Ant-Man) discuss their shared admiration of the original Hulk, Lou Ferrigno, after the Marvel Studios Panel at San Diego Comic-Con 2014!