Protests in the parks, bloody battles in the streets and ideological warfare behind closed doors — history buffs consider the events surrounding 1968′s Democratic National Convention in Chicago a clutch moment in one of America’s most tumultuous decades. Grizzled hippies remember it as the Woodstock of politics.
But members of the under-30 set, if they know anything at all about the convention and the subsequent trial of Abbie Hoffman and his fellow protesters in the so-called Chicago Seven, probably write it all off as another grainy slice of boomer nostalgia. The hybrid animated documentary Chicago 10, which opens Friday in select cities, reheats the controversial subject to serve it up to a younger audience.
Writer-director Brett Morgen, the Oscar-nominated creator of On the Ropes and The Kid Stays in the Picture, translates the events in Chicago into a style he hopes today’s college students will grok.
Chicago 10 mashes together rotoscope animation, vivid and sometimes shocking archival footage, transcripts from the legendary trial of culture jammer Hoffman and his Youth International Party, or Yippie, pals, and music by the Beastie Boys and Eminem. Morgen calls his style “mythomentary,” and Chicago 10 is an inventive, entertaining and stirring portrait of the ’60s protest movement at its peak.
In a phone interview, Morgen disses documentarian Ken Burns, relays the challenges of reaching the YouTube generation and explains why the phrase “animated documentary” is no longer an oxymoron. Chicago 10 features voice work by Hank Azaria, Nick Nolte, Mark Ruffalo, Roy Scheider (who passed away this month), Liev Schreiber and Jeffrey Wright. Read the rest of this entry »
The Kids Are All Right




